Showing posts with label Guest Blogger. Show all posts
Showing posts with label Guest Blogger. Show all posts

Thursday, August 29, 2019

Games for Assessment- Guest Blog Emily Compton

Games for Assessment- Emily Compton

Doing my podcast announcement a little different today. I'm sharing a post featuring a guest blogger, Emily Compton. Emily was so kind to chat with me on The Everyday Art Room and as she was talking all I could think is... wow, we need to have visuals as well. So, here are the visuals and more to Emily's Story. 

I met Emily Compton at the NAEA convention 2019 in Boston. We were both presenting a carousel presentation on Games for Assessment set up by Jennifer Dahl. Our presentation was packed... so much so that people lined the walls, they were sitting on the floor and they were spilling out the door. That meant that we could not go from group to group talking about our subject. Instead, we presented the whole group. That was a benefit to me because that meant that I got to hear what the other presenters had to say. Emily Compton had some amazing ideas and I was thrilled when she agreed to do a podcast with me. 


First, let's give you a little insight into Emily Compton.

What is your background?
I finished my 10th year of teaching elementary art in Indiana at Pleasant Crossing Elementary in May. But due to my husband's job, we just relocated to Pennsylvania this summer.  I just started at a new position teaching elementary art in Lancaster County, Pennsylvania! I am both incredibly nervous for such a big change and really excited to get to bring my assessment games to a new group of students.

Who has inspired you?
I’ve worked with some amazing art educators that have helped me hone this curriculum and these art assessments over the years. The team of art teachers in Clark Pleasant Community School Corporation in Indiana has collaborated with me on a lot of these assessments. 



Danielle Keough (left) is a huge inspiration in all things art education (she even made this amazing cake!) and is an amazing curriculum writer. These assessments are strong because they are based on a really strong, scaffolded art curriculum.




Beth Smith (right) really encouraged me to start presenting these assessments and actually did the first few presentations with me. I would have never been able to get up in front of other teachers without her encouragement.

OK... Tell us about Assessment in Art:

I’ve been exclusively using games and manipulatives to assess my elementary students in Art for over four years. In this structure of assessment, students complete a game-like task that practices an art skill, like using primary colors to show how to make secondary colors for example, with me one on one. While a student plays the game I am able to observe and interview the student about their knowledge. This practice feels like a game to the student while allowing me to use a really strong research-based method of assessment that allows students to showcase their knowledge of a topic through logical and coherent conversation and activities. This kind of assessment is actually used frequently in kindergarten classrooms with pre-readers. With a few adaptations for older learners, this method of assessment is the perfect complement to a visual subject and has transformed my art classroom into a more fun, positive place that builds strong student/teacher relationships, is efficient, authentic, growth-based, and accessible for students with special needs.



I have three different styles of games. Many of my games are magnetic manipulatives used on metal cookie sheets. These are great because the pieces all stay with the game when stored.

I also have some games that use a magnetic spinner and a pizza pan with a game mat on it. These games usually have a worksheet that goes with it where students record the information they receive from spinning.


Finally, many of my games have Velcro-backed pieces manipulated inside a file folder. 


When assessing a skill in art I used to create a lot of worksheets like this.


But if you think through it, I was actually assessing many more skills than sorting colors. In filling out this worksheet my students had to be able to find the correct crayon which required some persistence with my crayon buckets (if I’m honest). This was difficult for my students with ADHD or other special needs. Then, once a crayon was selected, students had to be able to locate the correct section to color with the crayon which requires some reading. This was difficult for my low readers. Holding the crayon and coloring required some fine motor skills, also difficult for my students with special needs. Attention to the task and willingness to complete the entire worksheet also required attention to detail and, unfortunately, for all of my learners also took significant time out of their art-making. This worksheet created a lot of barriers for my students that didn’t involve the necessary knowledge being assessed.  Once I acknowledged these shortfalls, my first assessment game looked like this.


While simple in design, it overcame many barriers for my students and focused their energy on the desired content for assessment. Because it involved sorting pieces, my students automatically assumed it was a game. I watched them play with the pieces, read the categories to them and assessed their understanding while they played. It was simple to put together and simple to execute. This was a game-changer in my classroom! From there, I started brainstorming ways to make every worksheet into a manipulative. Over time, my assessment games became more intricate, with magnets and mats for students to put their pieces on instead of handwritten labels, but the concept remains: Get students to manipulate and sort visuals instead of writing, coloring, or answering quiz questions.


What Materials do you use for your assessment? 


I make most of my games and game pieces on Microsoft Word and print/laminate/cut them out. I have a few of the game pieces I’ve made available on TPT.  I either assemble my games as file folders or as magnetic pieces to be used on metal cookie sheets. Generally, I make six copies of each assessment. I love, love, love Dollar Tree. I absolutely cannot live without the cookie sheets and pizza pans from that store. They are cheap which means they are smaller and more lightweight than traditional bakeware. They stack really nicely and all fit on one bookshelf in my classroom so my students have easy access to all of my games at any time. I bought a few pans at a time as I needed them, but I’m probably up to about 60 pans from Dollar Tree at this point! The other two items I always keep on hand for making new assessments or repairing damaged pieces are adhesive Velcro dots and a roll of adhesive, flexible magnetic strips. Finally, a nice game addition is a magnetic spinner. I lucked out and found them at the dollar store years ago. I haven’t been able to find them since. These, from Amazon, are similar to the ones I use. They are the priciest of the materials I have listed, but I think they are worth the investment. I have 6 spinners I use interchangeably for multiple assessment games in multiple grade levels. I have had them for 5 years and they are still going strong! Finally, I recommend considering game storage for easy access. I store all of my games on one bookcase in my classroom so they are out and always accessible for my students. My students enjoy these games so much that they frequently will play with the assessment games as their free time in the art room.


What are the big concepts covered when using these assessments?


These assessment games cover the elements of art for grades K-4 and move into some deeper critical thinking including art history and art criticism skills for 5th grade. Each assessment is linked a scaffolded learning target. I have free downloads to the learning targets I use for each grade level on my website. Students are able to track their progress on the learning target throughout the year and show growth in art skills. The games partnered with the learning target yield the student’s art grade for the year. As a result, I no longer have to put grades on the backs of artworks or require a specific skill show up in a student’s finished piece.  I used to have mixed emotions about the elements of art because artists usually don’t stop to think through which elements they plan to use to make a piece. Art making is a much more organic process, but the elements of art allow students to build a foundational knowledge of the choices artists make. It allows them to know why their choices work/don’t work in the artwork so they can grow as creators. I used to require my students to use a specific element in their work so I could assess their understanding. Now, my students don’t have to use an element of art we’ve been studying in their artwork at all. However, they can show me they understand foundational art skills with these games.  My students are building art knowledge and skills that help support the art-making process, but don’t have to follow strict “rules” in their work. By the end of their elementary art career, my students have a strong knowledge of the elements of art and a strong track record of making art as creative thinkers and makers.




OK... you want to know more about this lady... right? Well here are the ways you can. 1st you can check out her website, Let's Play a Game. Then, you can check out her Teachers Pay Teachers page... you guys, why reinvent the wheel? Use what she has already created and tested. Then, check this girls IG account out. She just started it so be sure to follow! Finally, if you want to connect Emily directly, she invites an email to, emrcompton@gmail.com and checkout our podcast on Everyday Art Room.






Wednesday, April 18, 2018

Celluclay Animal Finger Puppets





I have another guest blogger that I'm excited to introduce to you. Ashley McKee is a fellow Visual Arts blogger, author of Ashcan Works. She also posts on Instagram as @ashcanworks. Ashley teaches at an Elementary School in rural North Central Pennsylvania. I fell in love with one of her Instagram posts earlier this year and invited Ashley to contribute to MiniMatisse. She was happy to share her amazing project with us here.


When I asked Ms. McKee where her inspiration came from for this lesson she explained, "A 6th-grade teacher and I applied for a small grant for a collaborative project and we got it! Students are researching a person of interest and writing about them in her class, then we’re applying what they know about their person to create something that visually communicates what they’ve learned. There’s a lot of choice involved with this project. Some students prefer to work with 2D materials while others prefer 3D, and there are so many materials to work with! I developed a few examples, one based on Cassie Stephens Celluclay zombie planters. I chatted with Cassie to credit her in my post, and transformed decorative zombie planters into educational busts. These Celluclay animal finger puppets were developed as a mini-lesson to introduce students to the idea and to Celluclay (which is brand new to us this year!)."

As students began researching their person of interest in their classrooms, we began developing ideas for the art portion of the collaborative project in the art room. Before setting students loose with supplies I organized mini-lessons to introduce them to new materials and techniques that might be helpful to them as they brainstormed. This was one of those mini-lessons.



I ordered several 5lb bags of Celluclay, knowing I would need enough for this mini-lesson and for students who chose to use this material for their research project. We used approximately ⅓ of a bag of Celluclay for roughly 20 students to make their finger puppets. (I was able to use the leftover prepared Celluclay with 10 2nd graders who came to me for AR reading reward art time!) I taught 3 sections of 6th graders, each with roughly 20 students. 2 bags was more than enough.


Students watched me prepare the Celluclay in a bucket at the sink. I talked them through the process, cautioning them not to breathe in the dust, describing the dryer lint texture of the dry Celluclay that I broke up with my fingers before adding water, comparing it to tuna fish while mixing the water and working it into the Celluclay with my hands. They laughed and agreed it really DOES look like tuna fish! This lesson was completed in 3 40 minute classes, with a bit time left in each class to brainstorm their research project: 1 to sculpt, 1 to paint, 1 to embellish with sharpies.


DAY 1 Each student needed:
  • A messy mat to work on (cover your tables however you choose, this stuff is sticky)
  • They shared a dish of water with their elbow partner
  • A small plastic cup (communion cups would work well, mine were slightly larger than that, more like a medicine cup, and were donated to me by the school nurse, and yogurt cups might work nicely too)
  • A sharpie to write names and class sections inside the cups
  • An allotted amount of prepared Celluclay (that I passed out to them, scooping with my hand and plopping onto the edge of their messy mats, telling them I felt like a lunch lady- ha!)
During the demo students saw how to use a bit of water to smooth out the lumpy surface a bit. I told them it’ll never be completely smooth, but that’s ok. This material isn’t meant to be completely smooth, and they’re handmade so they’ll have loads of character! One of my demo animals was a bear, and students said it reminded them of the bears from the cartoon We Bare Bears. We called it Art Bear.

Once I showed students how to use Celluclay to cover their cups and add animal features, they were given the freedom to choose which animals to make on their own. Students problem solved by forming parts that looked like the animal they intended to make. A pig shouldn’t look like a horse! A few students made animals that typically have tails, such as a fox or pig, so they added tails to the back of the puppet heads to help viewers identify the type of animal they were making. Some students chose not to make an animal, flipping their cups to make mini planters for seedlings or neato pineapples. That’s ok too.
Once students finished sculpting we collected them in a copy paper box lined with wax paper (so the sculptures didn’t stick to the cardboard of the box). Messy mats were put away, water dishes are taken care of, and hands washed. I see my classes once every 3 days, which was plenty of time for the finger puppets to dry! The next time students came to class, we were ready to paint!


DAY 2 students needed:
  • Messy mats
  • Acrylic paints
  • Water dishes
  • Paintbrushes
  • Their finger puppets (of COURSE!)
For my demo, I chose to go funky Lisa Frank rainbow on this bear, and the kids loved it. I told them that it didn’t have to look real, that was a choice. Some mixed up some crazy colors, others were more traditional, and that’s ok too. As students wrapped up their painting, they cleaned up and went back to work brainstorming their project a bit more. We stored the drying painted finger puppets the same way we did before.


DAY 3 students needed:
  • Their finger puppets
  • Black sharpie (silver/gold optional)
To finish these up students embellished them, adding details with sharpies. Some used regular ol’ fine point, others used extra or ultra fine point, and some mixed the two for added texture. Everyone was pleased with their final products and the whole school asked when they could make them too!


This was a process based mini lesson meant to introduce and familiarize students with Celluclay and one of many ways of incorporating it into their choice research project. The larger concept for the research project focuses on visually conveying what students know about the significant contributions a person of interest has made to mankind, with examples such as former presidents, women in science and medicine, inventors, scholars, and entrepreneurs. Once students were familiar with the Celluclay we could talk about other applications for it.


I love that Ashley created such a simple and engaging lesson for her students to understand the material, Celluclay. I know this is a lesson that I can't wait to bring into my classroom. I know there are readers of this blog that will want to give it a try too.  This might be a perfect end of the year lesson as well. Thanks, Ashely for sharing the process with us. Read from some of our other guest bloggers in previous posts


Friday, April 6, 2018

NAEA Guest Blogger


I'm very honored to be a part of the NAEA featured bloggers this month.   I will have 4 blog post that will be featured on the National Art Education Association page, please view the post here

Friday, March 16, 2018

Paper Sculpture



I'm excited to introduce you to another Guest Blogger on MiniMatisse.  Matt Cockrell is an active participant in the Art Education Twitter community. I have been impressed with his conversation during #k12ArtChat on Thursday night as well as his shares on social media. Matt Cockrell, or Mr. C`s Art Class (@MattCockrellArt) as he is known on Twitter is an Art Teacher at Martha Layne Collins High School, in Shelbyville, Kentucky.


Paper Sculpture



When I was in high school, many many moons ago (in the 90`s, shhhhh…. ha!), in my Art Classes, we didn`t do a whole lot of `upper advanced` high school projects. We did the same things, from Art 1 all the way thru Art 4. Our `projects` consisted mostly of watercolor sunsets, writing in old English with a marker, tracing, drawing the `rubber band man` to make the human figure, and making clay coil pots. Our high school art teacher didn`t allow us to `think outside the box` either. We basically did the basic `run of the mill` art, so basic that our creativity wasn`t challenged to the extent that it could have been. I mean, just how creative and engaged can someone in high school be by tracing?!
So when I became an Art Teacher, in my mid-twenties (another time for another story, and my 1st career), I vowed to myself that I wouldn`t be like my high school art teacher, that I`d not only `step outside of the box` but that I`d `create another box and another and another`. Creativity to create a lesson/ project that pushed my thinking was what I was going to strive for each and every day. By pushing myself to create `real world relevant` and `just plain cool` projects, I would, in turn, test the limits of my students thinking, and their creative process, all at the same time.
Anyway, I better get up and going with this `project/ lesson` because I could go on and on, Trust me, my students know!
Scouring both google images and youtube, for a unique sculpture opportunity, with a unique everyday, ordinary material, I came across sculpture made out of paper, by Dutch artist Peter Callesen. Mr. Callesen creates his sculpture using a single sheet of paper. I put the `youtube` video on, which is a Euromaxx Art production. (For those of you that do not know, Euromaxx Art has 40+ videos about various working artists, all around Europe) At the end of this 5-minute video, I have a short discussion about process, about how Mr. Callesen uses his materials, to sculpt.
Students then look up Mr. Callesen`s website, and scroll thru his endless supply of paper sculpture, getting inspired. Students then must choose one of his paper sculptures and blend it together with their own ideas, kinda like a half/ half creation. Half his, half theirs. They must employ the same methods that Mr. Callesen does, experimenting with the process and materials until they have it. Experimentation is the key.
Students have to do two (2) paper sculptures & have Three (3) weeks to create their projects.
While this is a choice-based project, students still have to make their paper sculpture in the same ways as Mr. Callesen.
Students also MUST only use ONE SHEET OF PAPER! This is what gets their creativity flowing! Now, they can have a backing with construction paper and even use colored construction paper within their sculpture, but, their ONE MAIN PIECE OF PAPER must be over 90% of their sculpture. There are exceptions, but, they are discussed with me, Mr. C, beforehand. Any built object, such as a hummingbird or birdhouse, MUST be built by using ONLY the Cut-out Sections of their main white drawing paper.
With over (3) Three Weeks to create these sculptures, my students will go thru the `ups and downs` of creativity. They will be productive most days, but then there are `those days`. That`s when having that positive relationship with them comes in handy.
I also play music, fairly loud, to help students focus and to inspire them while they are creating. Music helps students to zone everything else out and concentrate on the task at hand

Materials:
  1. You can use any type of paper, but I find that Jack Richeson, 90 lb. drawing paper works the best for me.(While ordering from school specialty (sax arts) might be challenging at times, especially with some product not showing up when it`s clearly listed on the packing list, or, it gets back-ordered, it IS a cheaper alternative ordering source to go through)
  2. Scissors
  3. Blending Stumps
  4. Dental Sculpting Tools (paper clips work fine too)
  5. Elmers Glue (not washable, as it will not have the `hold` that is needed)
  6. Non-latex gloves (for those students who do not want glue on their fingers)
  7. Colored construction paper
  8. Photo-copy box lids
  9. A portable fan (for drying)
  10. Drawing pencils
  11. A shelf dedicated solely to the placement of projects/ materials while student work on these.
  12. Finally, having plenty of Patience! This will take time

This project (I don`t use the term `unit` in my classroom because that's a word my students hear all the time in their regular classes. In the Art Studio, we do projects!), is a mix between learn-by-watching, learn-by-experimenting/ doing and choice based.
Students use these Elements of Art within their sculptures: Line, Shape, and Form.
The cut-out sections also allow students to play around with `positive and negative space` which also turns those cut-out sections into the `shadow`, creating an interesting, created look of `shadow and light`!
Students learn that anybody can make art if they put forth their creative effort. Students also learn how a professional artist, from northern Europe, makes a living by sculpting with paper. In our school, we use Standards Based Grading. When students near the end of their project (and I only collect them on the due date not before), I not only push their creative limits by giving them advice on how to make their projects better but the student and I discuss ways for them to go `above and beyond` any expectations.
Matt has so many great ideas and he is totally open to answering questions via Twitter. Be sure to find and follow Matt on Twitter Mr. C's Art Class, @MattCockrellArt.

Monday, January 22, 2018

Alphabet Soup



A few weeks ago I welcome my first guest blogger to MiniMatisse, Mark Rode. His Paper Dinosaur Sculptures are adoreable, be sure to check them out.  Today I'm honored to present you with an Art Teacher I have admired for years.  Lauralee Chambers has been an Art Educator for 25 years in Westchester, New York.  She teaches over 900 students, 6 sections a day at two different schools with a total of 36 sections in a 6 day cycle. Yep, you read that all right. This woman is a rockstar!  Lauralee not only teaches to the masses but also shares, shares, shares on her Instagram, @2art.chambers and on her Pinterest account, Lauralee Chambers.  This is how I recently saw Larualee's latest and greatest lesson, Alphabet Soup.  She was happy to share with us the process of this adoreable project right here on MiniMatisse.



Lauralee writes:


I have 6 sections of first grade and our classes are 45 minutes every 6 days. I begin this project by telling them that “I know first graders are alphabet experts” and ask them to recite the alphabet to me. I ask them if they know any alphabet books and I tell them that I have been collecting alphabet books for a very long time because I love letters! I share some books in my collection and show them my other assortment of letters objects that I have including my alphabet necklace. I also created a smart board document with many, many images of letters on things, with the last slide being a bowl of alphabet soup.


Day One:

Materials:

  • 9x12 white drawing paper 90lb, or other for painting, with a pre-drawn pencil circle outline
  • Oil Pastels
  • Alphabet letter sheet visuals on tables to help them remember

Process:

After looking at many alphabet visuals and resources, teacher will demo how to draw letters of the alphabet in the circle (bowl) by pressing VERY HARD to put oil pastels down onto the paper. If not done thick enough, soup will cover their letters! I show students how to scatter their letters, rather than putting them in a line like they do for writing. They can go ANYWHERE, upside down, sideways, etc. Rotate the paper for each letter trying to keep them all large enough and thick enough. Colors should be repeated and if there is too much white space left after doing each letter of the alphabet, I have them hide their names in the bowl!


Day Two:

Materials:

Liquid watercolor: I mix up a batch of broth color using yellow and orange and pour into containers for each table to share. This will wash over the letters from last class. Going outside of the lines is fine because teacher will cut circles out so they stay round! This should not take long. Put these away on drying rack and start plaid background “tablecloths”.
  • 12x18 white drawing paper with a larger circle, pre-drawn with sharpie. I traced these circles over to one side of the paper. (This is where they will glue down their soup in next class, as flat and centered as possible.)
  • Water based markers
  • Water containers
  • paint brushes, I like size 10 or 12

The Process:

Add any needed letters, prep for painting, demo washing broth over letters quickly in long strokes. Put these away on drying rack and begin plaid backgrounds.

Each student has 12X18 with a sharpie circle. Gather them around to demo a plaid pattern of vertical and horizontal lines leaving spaces between lines as you wish. I ask them to choose 3 or 4 colors that work well together. Students will need directions on how to JUMP over the soup bowl and continue their line on the other side. A bit challenging for some, but the irregularities add charm! Once drawn, students take a paint brush dip, and wipe, in water and trace/drag over the marker lines. Some chose to trace only over the vertical lines, others did all. Lots of options.
Put on the drying rack. Don’t forget names on the back!



Day Three:

Materials:
  • Soft black vine charcoal broken into small pieces
  • Off white paper or tag board, cut to the size of a folded napkin
  • Glue sticks
  • Plastic metal imitation spoons
  • Glue gun for teacher use
  • Plastic alphabet beads, stickers (optional)-- The beads the photos are from Roylco

Process:

Everything comes together. Students glue their already cut out soup circle into the center of the larger circle and then glue down their napkin paper. Teacher demos the placement of shading. Students apply charcoal to the bottom and one side of the napkin and run along that line with a finger to soften or blur. Also apply charcoal around side and bottom half of the sharpie circle and smear with finger. Teacher will glue on spoons with hot glue.

Before the shadow is added:


After the shadow is added: 


Lauralee writes: The focus of this lesson combines literacy and letter formation/identification with an understanding of mixed media, using more than one art material in a lesson to create something that looks like real life objects.


This lesson is truely a treasure! I adore the end result. I want to thank Lauralee Chambers for sharing and celebrating on her Instagram so often.  A special thank you for being a guest blogger for MiniMatisse. It was so great to learn the process.  For more on the happenings of Chambers classroom visit her Instagram or email her at, lauraleechambers@hotmail.com